Chances Are You're Watching TV While Reading This Post

"Ninety percent of consumers are multitasking while watching TV.  On average, Millennials and Xers are doing three additional activities while watching TV, typically surfing the web, emailing, texting, or social networking."  -- Deloitte Digital Democracy Survey, fielded November 2014.

Source:  Deloitte Digital Democracy Survey
(Click to enlarge)

Ad Spending: Pixels are Up, Ink & Paper are Down

U.S. ad spending went up slightly in 2014 because pixels increased more than ink & paper declined.

That's my analysis of fresh data from Kantar Media summarized in this chart:

The pixels were TV (+5.5%) and Internet Display (+0.9%).  Representing ink & paper were Magazines (-5.1%), Newspapers (-10%), Outdoor (-0.2%) and FSIs (-2.8%).  Radio was also down -3.9%.

Like everything in modern media, though, it's never this simple.

Two Questions to Think About

Please consider the environment
before printing this billboard

The "pixels" category above only seems to represent the "First Screen" (TV) and the "Second Screen" (personal computers).  We don't see the Third Screen (mobile devices) and Fourth Screen (digital out of home).  That leaves us with a couple of questions.

What is TV?  As posted recently, TV isn't dead, it's just morphing into a more personalized experience.  If anything is dying, it's Cable TV.  Now, Cable ad spend actually grew +6.8% last year, a big reason for TV growing +5.5% overall, thanks to sports and political campaigns.  But viewers are cutting the cord, or at least shaving it, in favor of new OTT options.  The thing is, it's harder to track the ad revenue, which is there if you're watching The Flash online at CWtv.com, but not if you're watching House of Cards on Netflix.  Kantar says their data doesn't track online and mobile video ad spend.

What is Outdoor?  The vast majority of OOH (Out of Home) inventory is still ink & paper, although many media companies continue investing in DOOH (Digital Out of Home) and Digital Place-based Media.  Kantar pointed out "digital outdoor ad spending has grown six times faster than the overall medium".  So it's reasonable to say that Outdoor's -0.2% decline is probably a mix of pixels being up and ink & paper being down.

The State of TV Advertising on the Eve of the Super Bowl

The Super Bowl has always symbolized the power of TV advertising.  Is that power waning?

Many business journalists seem to think the Super Bowl is the last bastion of TV advertising.  Just this morning as I was writing this post, The Economist daily news digest arrived, calling the Super Bowl "something increasingly rare in television: a programme that people watch live and in large numbers."

Surprise! Most TV Viewing is Still Done on a TV

Now let me explain
"Programmatic" to you

Actually, Live TV viewing is holding steady at about 4-1/2 hours per day.  Yes, 66.8% of Broadband Users Under 35 watch TV on a combination of these devices, but for all age groups most TV viewing is still done on a TV.  

This will shock Upper West Siders who binge-watch Orange Is The New Black on Netflix.  But regular people are watching live sports, NCIS, Dancing With The Stars, American Idol, Judge Judy and Big Bang Theory.  Bazinga!  

But Fragmentation Will Continue

TV was never dying; it was just following audiences to new platforms.  Cable supplanted Broadcast and new devices emerged like DVRs, OTT, Online and Mobile.  There will always be big audiences, but they will continue fragmenting.  In Ye Olde Marketing buying and selling TV was relatively straightforward and audience delivery was measured by Nielsen.  But now audiences are fragmented and sometimes not even measured.  Only Netflix knows how big the audience for Orange or House of Cards really is.  (A Los Angeles Times reporter tried thinking it through.)

The Super Bowl doesn't have this problem.  The marquee advertising will air during NBC's broadcast, and people will see it on TVs, tablets and other places.  The audiences will be big enough that few advertisers will worry about under-delivery against their $4.5 million (unless they're spending that money in the 4th quarter of a one-sided blowout).

The Revolution May Not Be Televised, but TV Will Be Personalized

But even in a big event that almost everyone watches or knows about, we see the future of TV:  Personalization.  For the Super Bowl it takes the form of second- and third-screen programming, i.e. game analysis, ad analysis and social media traffic.  Little of this is driven from broadcaster to audience; it's more of a conversation where both participate.  The famous Oreo dunk-in-the-dark tweet generated very small response:  15,000 Retweets and 20,000 Likes.  (In fact they probably generated more blog posts than that, but I digress.)  But it's OK because they learned how be part of people's conversations.  

In the same way, Oreo's latest stunt -- yes, it's a stunt -- using programmatic methods to buy a :15 in the Erie (Pennsylvania) DMA is a harbinger of things to come.  "Programmatic" is one of those words that's taken on too many meanings, but it's generally associated with media buying, just like the online ad world from which it came.  Its real value will be as a pathway to addressable TV, a way for audiences to customize the programs they see -- and advertisers to customize the messages that make them possible.

Enjoy the game -- and the ads -- and know that you'll always have plenty of company watching that first screen.  Keep one eye on those other screens, too, because they're a window to the future.

Mobile Devices Are a Way for Consumers to Reach Brands -- Not for Brands to Reach Consumers

Here's something advertisers and agencies seem slow to understand:  Mobile devices are not a way for brands to reach consumers; they're a way for consumers to reach brands.

Consider that the mobile device — the smartphone especially — is a very private zone in a person's life.  They don't necessarily want ads of any kind invading that personal space.

But the smartphone is wonderful tool for consumers to invade your space as a marketer.  Via Internet searches, shopping apps, social media and conversations with friends, they do it whether you invite them or not.

So why not invite them?

Use Mobile to Invite Customers and Prospects

Customers and prospects can contact you via certain smartphone apps.  The most-maligned is QR codes.  In the picture below is a QR code I saw this past weekend on the back of a service vehicle in Chicago.  I can't think of any better example of consumer-UNfriendly QR codes than this photo from WTF QR Codes which also sums up why I avoid them.

Not much of
an invitation

At the other end of the customer convenience spectrum is Messaging — SMS, MMS, P2P and other emerging tools.  Most of these are built in to a smartphone and very familiar, but there are also newer apps like Kik that would be handy reaching a younger audience (like Ad Majorem's teenage children).

There's also social media, of course, but only invite people to "Follow Us On Twitter!" if there's a darn good reason.

If you are extending an invitation to consumers at retail, it may be time to look again at NFC.  Could it be coming back thanks to the iPhone 6?  I've been bullish on NFC ever since my first project back in 2012 but it's been traveling a stubbornly slow adoption curve.

Ask for an R.S.V.P.

Sorry to torture the "invitation" metaphor a bit, but using "R.S.V.P." as an abbreviation, here are some principles to keep in mind:

• Response is the goal.  You're not going to rack up millions of "impressions" via Mobile (you might) but you may invite millions of customer interactions.  In other words, the quality of your audience, not the quantity, is what matters.  Think app dowloads, not ads served.

• Start with your consumer.  When and where might they be looking for something useful, informative or entertaining?  That's your chance to engage.  This Forrester video describes how American Airlines designed their mobile app around their customers' travel experience.

• Voice must be …inviting.  This past year during a radio interview, a local political candidate invited people to text him for more information — which I did, only to get an auto-reply asking for donations.  Since when do you invite people over and then ask them to pay?

• Perpetuate the relationship.  The old way of thinking is to stage a marketing or advertising event, but the kind of dialogue marketing both permits and requires today is a process, not an event.  The beauty of Mobile is that consumers can reach brands — and brands can keep that conversation going.  

Related: Who "Owns" Mobile?

Tablets Are Not "Mobile". They're "Portable"

This has been bugging me for a while.

Tablets — be it the iPad, the Kindle, the Galaxy or anything with a capacitive touchscreen larger than a Pop Tart — should not be considered mobile devices, like smartphones.

Consumer behavior proves it

All Mobile is Portable but
Not All Portable is Mobile

Sure, tablets and smartphones both run on the same "mobile" operating systems like iOS or Android, but people use them differently.  For example, people report accessing the Internet in their living rooms on both tablets (72%) and smartphones (67%), but in out of home situations, the numbers are quite different.  On the daily commute, for example, 49% use their smartphones and only 9% use their tablets.  In Stores, 75% use their smartphones and very few use their tablets.  (All of this research comes from a 2013 Forrester study; see a nice summary here.)

Why does this matter?  Follow the Money

Likewise, not all mobile ad spending is created equal.  When you hear things like "Mobile advertising spend will be about $18 Billion globally in 2014" you need to think beyond tiny, unreadable banner ads on a smartphone.  Those big numbers also include banner ads and video pre-roll that are better seen on a tablet.  That $18 Billion also includes a lot of Paid Search, which is a natural ad medium on the tablet, and a lot of Messaging, which is a natural ad medium on the smartphone.

Google Agrees:  Tablets Are Not "Mobile"  

In an SEC filing last January, Google admitted that as tablets became more ubiquitous, "their usage had much more in common with desktops than with handsets".  Going further, they said "the meaning of 'mobile' at Google has shifted dramatically to 'handset' from 'tablet + handset'."  Why tell the SEC?  Because it affects how they report their very considerable ad revenue.  It also affects how they might collect revenue in the future:  This was the same SEC filing that grabbed headlines like "Google Will Advertise on Thermostats".  So the definition of "Mobile" also matters to Google, but it goes way beyond tablets to the so-called Internet of Things, or in Google's case, the Internet of Things That Collect Ad Revenue.

God bless them.  As long as they start referring to tablets as "portable" devices.

Small Media Agencies Far from a Dying Breed (UPDATED)

Last week's news about KSL Media going bankrupt sent one trade publication jumping to conclusions.  AdAge.com blared:  "KSL Bankruptcy Calls Into Question Marketer Appetite for Indie Media Shops".  The gist of the story was that KSL had to go out of business because it was losing clients to big, holding-company media agencies.  Indeed, Bacardi left KSL for Mindshare this year.  Could one client loss really kill a small media agency?

If only it were just $8,000

It's actually a much more dramatic story:  Former KSL controller Geoffrey Charness is accused of embezzling tens of millions of dollars.  (We hasten to add he's innocent until proven guilty.)

It’s no crime, however, to be an "indie media shop".  Independent media agencies serve clients that the big agencies overlook, and do it well.

There's no question that scale counts when negotiating low CPMs on a big budget.  But scale isn't everything in media.  

“Media” and “Creative” aren’t mutually exclusive

Media has become more creative in recent years, driven by the development of hundreds of new ways for brands and consumers to connect with one another.  In other words, media isn't just about scale, it's about innovation.  

Large media agencies have no more of a monopoly on innovation than do large creative agencies.  It's interesting to note that TurboTax recently awarded its creative account to Wieden + Kennedy -- and then, two months later, also gave them the media planning and buying assignment.

We'll find out how the KSL-embezzlement-bankruptcy storyline plays out over the next few weeks.  It won't be pretty for the employees who faithfully executed their duties every day, coming up with ideas to build their clients' businesses.

But it’s safe to say that we'll still have "indie media shops" far into the future, continuing to build clients' businesses in ways we can't even imagine.

UPDATED 11 October 2013:

The plot thickens.  Today MediaPost is reporting that KSL Media loaned millions of dollars to senior execs, even in its waning days.

Digital Out Of Home Media is All About Engagement

This past week the Digital Screenmedia Association held a symposium which captured the big trends in -- well, a kind of media that goes by several names.  Digital Out Of Home, or DOOH.  Digital Place-based Media.  Digital POP.  If there’s no consensus on what to call it, you know it’s a dynamic part of the media universe.  Watch this space!  (Literally and figuratively.)

What is Digital Out of Home?

Just to give it a little more definition, DOOH includes electronic billboards, stadiums, in-store video, and place-based networks reaching into doctors’ offices, gas station pumps, public transit, ATM machines, bars, malls and many other nooks and crannies of daily life.  Penetration is especially high in Europe and some Asian cities, and increasing in North America.

Now THIS is consumer engagement!

These screens are popping up everywhere because the technology behind them is getting cheaper to build and install.  Moreover, people are on the move so much that marketers are looking for new ways to engage them.  Still, there’s a sense that marketers under-utilize digital out of home.

That may change when some of the following trends start to materialize.

Engagement is the future of digital screens

Throughout the two days, engagement was a constant theme.  Technology permits not only a million screens, but ways for consumers to use those screens to get more information, get entertained or get some useful information.  Many of you know about R/GA’s interactive billboards for Nike.  In the future it might look like this scene from Minority Report, which Tom Fishburne delightfully sent up with one of his cartoons.  We’ll know the technology jumped the shark when Jaws 19 comes out.

Mobile is the tool

Here and now, Mobile will propel consumer engagement with DOOH.  It’s been clear to me for some time that Mobile isn’t a way for brands to reach consumers, it’s a way for consumers to reach brands.  If they think you'll help them shop, save, win, laugh or learn, you’re in.  DOOH gives brands another opportunity to earn consumers’ invitations to their mobile devices. 

DOOH Engagement:  What’s Next?

QR codes are teaching the behavior of holding up your phone to a scannable image, but there are new, easier ways for the consumer to invite you in.  What’s next?

In Chicago, elevate Digital is deploying truly interactive displays in and around the Loop that encourage participation via social media, connecting with consumers via their own experiences.  In New York, Perch Interactive designs point-of-purchase displays that encourage interaction with a product -- and deliver information about it in the ten seconds that a shopper handles it.  Numerous companies, like Ocutag, GroundCntrl and ShopOne, are developing new ways for CPG marketers to connect with shoppers in the grocery and mass retail channels.

In-store is Out-of-Home

DOOH also happens in the retail environment.  Jennifer Nye, retail channel manager for Kohler, pointed out that “the store isn’t dead; it’s where customer loyalty can be built.”  To be sure, she added, “It’s not just a matter of putting up screens.”  There must be a strategy.  

Lindsay Wadelton, the Flagship Customer Experience Manager at AT&T’s new store on Michigan Avenue in Chicago, described a store where they don’t dramatize the product, but the experiences the product delivers.  Digital, interactive signage makes it possible.

Hello, Mr. Yakamoto, welcome back to The Gap

We may be a long way from Minority Report, but DOOH is showing us the way there.  Especially in an era of consumer privacy concerns and enhanced government snooping, the key for marketers will be to earn consumers' invitations into their lives.

How to Survive the Ad Biz in 2013

This past year I had lunch with a friend who used to run his own agency.  He closed it ten years ago and built a brand strategy consultancy.  Although he calls on marketing executives, and sees agency people in meetings, he was remarkably removed from goings-on in the advertising business.  Stopping for a moment, he thought, and said:  “My overall impression is ‘turbulence’.”

It was either this...
or start in the mail
room.

We won’t argue with that:  Turbulence.  Clients continue changing agencies at a rapid pace.  Assignments are spread among different agencies, either within or across holding companies.  It’s a buyer’s market, with agency fees generally down.  There were more layoffs last week, and many others change jobs voluntarily.  How do you survive all this turbulence?

It’s not just advertising.  Also this year, Fast Company announced “The Four-Year Career” and advised that “career planning is an oxymoron”.  The gist was that you may as well plan for constant career change because it’s going to happen to you anyway.  Their modern definition of a career path:  “Tacking swiftly from job to job and field to field, learning new skills all the while.” 

How to Survive the Ad Biz in 2013

This blog made a similar point in How To Get Ahead in Advertising:  “Advancement is not so much a straight line through one discipline, but tacking like a sailboat across various disciplines.  We will always need specialists, but it’s the generalists who will advance the farthest in agencies of the future.”

In the days of Ye Olde Marketing, there were fewer specialties, therefore, fewer specialists, so becoming a generalist was more achievable.  Most of the ways to reach consumers only reached them, i.e., with one-way messages from advertisers to audiences.  Today, there are many, many specialties and new ones invented all the time.  Media has multiplied and specialists have proliferated.

You’re already a specialist by virtue of what you do every day.  Copywriter.  Art director.  Social media community manager.  Web developer.  Shopper marketer.  Account executive.  Everyone shows up for work to do a specific thing.  You probably don’t expect to be doing that job forever.  How do you become a generalist, too?

Be Curious

First, be curious.  While you’re doing that job, have good peripheral vision, paying attention to how others contribute.  If you’re at an agency with many different services, take advantage of the many opportunities to learn.  If you’re at a specialist agency, for example a digital shop, you can still learn because by nature the work will intersect with other disciplines.  For example, your mobile app may also be part of a shopper marketing program.  You can also read about a couple of disciplines you haven’t learned yet.  Pick a couple of topics and focus on those.

Be Courageous

Second, be courageous.  Take a step outside the comfort zone of your day-to-day activity and try a new specialty.  I’ve been impressed by the willingness of up-and-comers to move from one discipline to another.  We even ran a program that rotated account executives over a two-year period among advertising, direct, digital, shopper and experiential.  More experienced people should do this, too.  I had a colleague who took his 25 years writing successful TV commercials and applied it to writing all the SEM copy we did for a large client.

Capabilities lead to Possibilities

Over time, you will go from specialist in a couple of areas to generalist who can see the big picture.  That kind of perspective gives you two super-powers.  One is that you are obviously more marketable.  The other is that you are more effective.  You’re not just a specialist playing your position well, you have a sense of how the other parts of the marketing program come together.  Ultimately, you’ll be qualified for a job to centrally run those interdisciplinary marketing efforts, either as a client, creative director, or agency account lead.

Put another way, capabilities lead to possibilities.  You need possibilities.  You could lose your job, it could bore you, or it could cease to exist, but chances are you won’t be doing the same job four years from now.  The trick isn’t just to survive, it’s to survive by growing along with the industry.

What Mad Men Teaches Us About Advertising in 2012



The Diversity Committee will see you now

I didn’t watch Mad Men last night. I’m living it today.

There’s nothing wrong with nostalgia, mind you. That early 1960s era is of particular interest to me. On my desk is a small photo of my grandfather taken right about that time.

In addition, I believe history teaches us a lot. In the same way following world history makes us better citizens, following advertising history makes us better at what we do.

What we do is sell. And modern times are the best times to be doing just that. The last great upheaval in advertising was driven by television, but it only happened once. Digital technology drives new upheavals all the time. It’s happening so fast that few can keep up with it or understand it. Major CPG companies struggle; former Mad Men seem to understand. But as Matt Nelson of Tribal DDB put it, now is the golden era for advertising.

In a similar reflection, Duff Stewart of GSD&M said “a successful leader in advertising… today is defined by curiosity.” I couldn’t have said it better myself. (Well – I tried, here and here.) With such a menu of challenges and buffet of media options, more than ever we can say “it’s all advertising” and get to the task of selling in new ways. We have much to learn.

One thing Mad Men can teach us is how little progress we’ve made on diversity. There’s more diversity among media options than the employees who practice them. It’s the best time to be in advertising – but it could be better.

Spider Charts Are Just Wrong

If you work in marketing or advertising, chances are you’ve seen a spider chart. These are supposed to impress upon us the vast number of consumer touchpoints reached by your IMC plan.

Although actual arachnids have eight legs, most marketing spider charts have many more. The more the merrier! Surround the consumer! I call this spidermania. You can see some examples, here, here and here.

There is a corollary effect to spidermania: Matching Luggage. This is the persistent belief that all marketing communications for a brand or product must look exactly alike.

Where did Spider Charts come from?

In the days of Ye Olde Marketing the media landscape was known territory and easy to navigate for clients, agencies and consumers. Even if your map went beyond broadcast and print media to include public relations or sports marketing or – remember this one? – guerrilla marketing, the task of budget allocation was straightforward.

When cable TV exploded, direct marketing matured, the Internet emerged and shopper marketing was invented, the landscape looked like those parts of Medieval maps warning Here Be Dragons. We tried in vain to organize everything in a way that made sense. Spider charts became a widely used tool.

Spider Charts illustrate how Clients and Agencies Use Media

The problem is that spider charts represent how marketing and advertising people use media. This perspective distorts your view in three ways:

1. You can’t guarantee a consumer will see all these things. They may look nice on the conference room wall, but what if the consumer only sees one or two executions? Will you still achieve your goal?
2. Assumes a “push” approach to marketing communications. Reach. Frequency. Penetration. These are important but we can no longer succeed with them alone. Some legs of the spider don’t work that way.
3. Misses the role of dialogue among consumers. Word-of-mouth has always outperformed any advertising, it was just hard to know how – until now. Social Media is not “push” nor “pull” but friends recommending things to friends. Spider charts miss that.

So what’s a better way?

Gigantic Venn Diagram Illustrates How Consumers Use Media

Marketing communications today is like a Gigantic Venn Diagram, its design constantly shifting from client to client, and from project to project. It would be nice if all the various media would just stay still for a moment and let us plan a client’s marketing communications. But it won’t. There will always be some new medium, platform or tactic bubbling up in the minds of programmers, entrepreneurs or venture capitalists.

By the way, this is wonderful. The Gigantic Venn Diagram may be confounding, but it should also be exciting. This is the best time in history to work in marketing communications.

It’s also reality. Consumers use these different media interchangeably and simultaneously. TV and Social Media. Mobile and Retail. QR codes and Direct Mail.

So what looks good on the conference room wall?

You may like spider charts for presentation purposes, and if it works for you, at least proceed with caution. Here are three other ways.

· Divide according to the purchase cycle. Many of you use the path to purchase or a funnel diagram to describe how the different media work together. We have been working with McKinsey for the past three years utilizing their Consumer Decision Journey.
· Organize according to media usage. Imagine a chart that divides advertising (communication that interrupts and/or persuades) from information or entertainment (communication that invites participation). Consumers use these very differently and so should we.
· Draw a Gigantic Venn Diagram. Honestly I am not sure yet if the GVD is a good presentation tool or maybe just a way to think about things during the planning process. It has definitely helped immerse me in a particular project, but only after I’ve done my homework.

That homework is critical. The same consumer insight that drives a creative brief should drive a channel plan. If you haven’t done that work, then you won’t get anywhere.

In any case, my hope is that phony spidermania has bitten the dust.

Account. Creative. Planner. Client. Um, Media?

You may have the seen the above chart already; it’s making the rounds of social media among advertising people this week. Summarizing some stereotypes about account people, creative, planners and clients, it also cross-references how they all perceive one another. (Click the image to enlarge it.) It’s funny because it’s true.

In fact it first came to me via an email from Mike Keeler saying, “Sent from my brother. True.” Then someone else replied pointing out that it’s also incomplete: “Genius! But yet again media has been left out!” Ouch. It isn’t funny because it’s true.

The same thing happened last year with another bit of agency satire, an infographic called “The Anatomy Of An Agency”. The roles in that case were accounts, art director, copywriter, developer, and finance. Media was left out there, too.

Do these ads even run anywhere?

Recently we asked if Creative and Media have forgotten each other. Perhaps it comes from the spinoff of media agencies back in the 1990s. Perhaps it’s too much focus on the steps required to get an ad out the door. But at some point you’ve got to ask yourself where is a consumer going to see this creative work?

It’s not an academic question, and it applies equally to SEM copy, Direct Mail, banner ads and TV commercials. In fact that’s why the question is even more important than it was in the days of Ye Olde Marketing. The media landscape is such a Gigantic Venn Diagram that Media, or Comms Planning, is absolutely vital.

In fact, not only is it vital, it’s fun. As we traded comments on this subject, Keeler reminded me that “In this rapidly developing world of new media, the planning and buying of media is one of the most creative aspects of any campaign.”

A Modest Proposal

Anyone want to take a crack at how Media fits into “Perception in the Advertising World”?

Creative + Media = Comms Planning

Have Creative and Media been apart so long that they've forgotten each other?

Some will say, "No, how could that be? We hear every day about the changing media landscape, so how could anyone in advertising ever forget media?”

There's a difference, though, between what we hear every day and what we do every day. While it is absolutely false that legions of agency people robotically write only TV storyboards every day, it's equally true that few creatives get guidance on where and when their work will engage a consumer. Why? It could be lack of vision, adherence to a routine, or the artificial separation of Creative and Media from the spinoff of media agencies in the 1990s.

The Creative Brief is not enough

This week we had a group briefing for a new project. There were many great questions about the consumer, how she shops the category, and her decision making process. Suddenly the creative director asked an important question.

"Have we thought about Comms Planning?"

The very same question was on my mind, but it meant so much more coming from the creative director. She was clearly thinking about all the different ways to engage the consumer, and high on her list was how consumers could engage with their friends. (As I've written before, Social Media is just word-of-mouth + technology, allowing us to drive it better than we ever have.)

I'd like to think she asked this question because we're one of the few agencies that still has a media department, but that's not it. There wasn't a Media person in the room at the time. Besides, "Media" may not even be the right word. (I almost put it in scare quotes in the title of this post.)

Call it what you will, but there’s no point in calling it anything unless you’re going to do something about it in day-to-day business. “Media agnostic” is a bad term, partly because it describes a philosophy instead of something practical. “Comms planning” is better because it says we’re going to do something. (Notably, this was the first time I had ever heard an American ad person use the term "comms planning" in a regular, day-to-day meeting. It comes up in punditry all the time but as a business term it's rare.)

5 Steps to Comms Planning

If your normal practice is to just write the brief and hope that a media agency doesn’t prescribe 100% :15 TV ads when you thought shopper marketing was important, try taking these steps.

1. Leverage your work on consumer insights for the creative brief. It’s the same consumer and if you’ve done your homework, you know this person. That insight can help you understand how he or she uses media.

2. Apply that insight to how the consumer shops the category. At some point “the consumer” becomes “the shopper” and along that journey she uses different media. Think about how to engage her along the way.

3. Learn about channels outside your comfort zone. Technology is driving all the changes in the media landscape, but not all of those changes are digital. Retail disciplines like shopper marketing are important, too.

4. Prepare yourself to adjust the creative message according to channel. This is just common sense; a great TV spot drives awareness, talk value may be expressed via social media, and retail promotion may close the sale.

5. Think in terms of a business solution, not just a media solution. "Media" and "Channel" are both words describing a conduit, a means to an end, or the delivery of something. They don’t, however, just deliver messages or conduct word of mouth, they help you achieve a business objective.

You achieve your business objective on the strength of both Creative and Media. Don’t let them forget about each other.

Consumers, not Marketers, make IMC possible

On the way to work this morning, my daughter noticed that just as we passed the billboard for Potbelly’s new Grilled Chicken & Cheddar sandwich, we also heard a radio commercial for the same product.

To her, it was coincidence. To you and me, it was Integrated Marketing Communications.

Actually, it was both.

Best Laid Plans

IMC is hard work. Not only must we find a simple idea that can work across different channels, we must decide which combination of channels will drive the client’s business.

The old-school, matching-luggage, spider-chart view of IMC is that if we surround the consumer with enough identical messages, we get a force multiplier that drives effectiveness.

It doesn’t work that way.

Only Consumers can put it together for themselves

We’ve made the point before that IMC is just a fancy acronym for “Marketing”. It makes sense that any marketing plan consisting of multiple channels should be coordinated so as to maximize the investment. The conceit of IMC is that consumers see the same spider chart we do.

That’s impossible. Not even in our best laid plans could we hope that most of the audience sees all the messages. Different people will see different combinations. Social Media makes this more true than ever. Ultimately each consumer will put it together for themselves.

Our goal isn’t for consumers to see the spider chart, or appreciate our IMC prowess, but to change their hearts and minds enough that the client sells more product.

Did we buy the Grilled Chicken & Cheddar Sandwich?

In the case of my daughter, who loves grilled cheese, we saw the billboard and heard the radio commercial. I dropped her off at her job as a day camp counselor at Chicago’s museum campus this morning, and this afternoon I brought her back to the office so I could attend an important meeting. Later I’ll take her out for a sandwich – at Jimmy John’s. Why not Potbelly? Because the radio and the billboard can’t compensate for the fact that there isn’t a Potbelly’s near my office.

Marketing Silos

In the fields of marketing communications and organizational behavior, there is nothing more sinister than the silo.

Silos prevent cooperation and coordination. Silos signify self-interest and turf battles. Silos are a comfortable place to hide while we practice our specialties, oblivious to opportunities for working with others.

The Truth About Silos

The silo metaphor borrows equally from the Agricultural Revolution and the Information Age. The agricultural reference is a structure for storing bulk materials, usually grain harvested on a farm. An information silo, according to Wikipedia, “is a management system incapable of reciprocal operation with other, related management systems.”

Silos can be dangerous. “It may be fun,” advises an OSU fact sheet, “to jump in the grain or even bury yourself, but this kind of play is very dangerous. Flowing grain acts like quicksand. Once you start to sink it is impossible for you to dig your way to the top. As you dig, the grain keeps shifting under your feet, pushing you deeper towards the bottom.” Shudder.

Marketing Silos are Surrounded by a Barnyard Full of Manure

One of our clients recently ran a program in a medium we do not handle. Our creative director, always passionate about the client’s business, called me this morning to say “it’s not consistent with the brand voice,” and “it’s not relevant to our consumer.” He was right, because this work was done in a silo.

Silos are surrounded by a barnyard full of manure. That barnyard actually reinforces the silo mentality. We can stay in our silos instead of venturing out of comfort zones into something messy and complicated like interpersonal communication. Or a big pile of…. manure.

Connecting the Silos

Last year Evan Rosen wrote a column with good, practical advice for encouraging collaboration. My only quibble was with the title, “Smashing Silos”. The revolutionary tone is appropriate, but the prescription to me is more like “Connecting Silos”. We’ll always need specialists, and they’ll always need a place to put their grain.

Silos aren’t inherently bad unless we stay inside them. As modern marketers, we not only need to know our specialties, but get out of them and see the bigger picture.

(If you liked this post you may also like this one or that one.)

3 Reasons You Should Care About the BzzAgent Acquisition

Last week Boston-based BzzAgent, a word-of-mouth marketer with extensive analytical capabilities, was acquired by dunnhumby, a direct-response marketer, also with extensive analytical capabilities, that in turn is also owned by U.K. retailing giant Tesco. (American readers should know that dunnhumby works extensively in the U.S. with Kroger.)

Bzz you should notice

I’ve worked directly with BzzAgent, and it’s always been a great experience. The starting point of their capabilities is a network of some 800,000 Bzz agents, consumers who receive product samples from manufacturers hoping to generate positive word-of-mouth. Just search on Twitter for #ImaBzzAgent, #BzzAgent or @BzzAgent to see the conversation they drive. As their CEO Dave Balter has pointed out to me in the past, BzzAgent is more than a network of “advocates,” they truly understand social media and analytics.

To oversimplify a bit, BzzAgent is great at driving consumers toward brands, and dunnhumby is great at closing the sale at a particular retailer – which is also known as shopper marketing. This is a powerful model for manufacturers and retailers alike.

3 reasons you should care about the BzzAgent acquisition

1. Shopper Marketing holds Social Media accountable. As Balter put it in an interview last week, social media “is still in the world of ‘likes’ and clicks, but substantial budgets just don’t come from that. Shopper marketing, on the other hand, is the ultimate measurement vehicle. It’s a thousand percent about ROI.” Yesterday someone posted on Ad Majorem that social media is just media, not necessarily an advertising vehicle, and they’re right if no one knows its effect on sales.

2. The path to purchase still ends at bricks and mortar. I’ve posted before that Social = Mobile. If you accept that premise, and observe that shoppers carry mobile devices into stores, we can also say Social = Retail. Apple and Google mobile platforms offer plenty of apps for looking up product information. Twitter is a secondary market for online coupon offers. At some point the cash register rings and its usually at a physical store.

3. There’s a trend forming. Not only did dunnhumby acquire BzzAgent but Walmart acquired Kosmix, which for lack of a better term we’ll call a “social commerce” platform. Read more about Kosmix here, here and here. And then there’s Groupon, which is also a blend of social media, shopper marketing and e-commerce. In short, retailers are figuring out how to harness the power of the Internet.

Perhaps now someone will figure out foursquare’s reason for being.

Are Social Media and SEM really "advertising"?

In an early post, you can read that “the ‘ad’ in Ad Majorem means all marketing communications, from social media to direct mail to Internet gaming to television commercials. To most consumer audiences all of these are advertising.”

Today we’re going to debate that statement a little.

Is Social Media advertising?

On The Social Graf blog, Erik Sass noted yesterday that in recent IPOs for LinkedIn and Zynga, advertising revenue was not a big factor. LinkedIn makes almost half of its money from headhunting and job-finding services; Zynga makes 80-90% of its revenue by selling virtual goods. Does this mean “advertising takes a back seat”?

The question is not whether Social Media is advertising or is putting it in the back seat. They have a symbiotic relationship; great advertising has always driven positive word-of-mouth. The only difference today is that social media has turbocharged word-of-mouth. Maurice Levy of Publicis tripped over this dynamic the other day when he said “Recommendation and endorsement from a friend is sometimes more powerful than the greatest ad.” No, not "sometimes" – always more powerful than the greatest ad.

Word-of-mouth is advertising – advertising we can only hope to influence, never control.

Is SEM advertising?

Meanwhile, over on AdAge’s DigitalNext column, Josh Shatkin-Margolis says we should “Stop Pretending That Search Engine Marketing is Advertising”. He actually made a great distinction in his second paragraph: “SEM is the worst form of advertising, but bear in mind that it is the best form of targeting.” True enough. No one will claim that unclicked search copy is effective. Cheap? Yes, as in “the impressions are free.” You get what you pay for.

Yet is there any reason a consumer would not call this advertising just because it neither promises nor delivers a memorable, persuasive message? I don’t think so. We’re splitting hairs with some of these discussions.

Another headline this week proclaimed that “Google Passes Yahoo in Online Display Advertising”. So are we going to say that Google’s online display is advertising, while the search copy just pixels away is not?

What is advertising? What isn’t?

A wise colleague, now retired, used to say, “Everybody’s selling something, boitshick.” This is true of both search and display. Social Media, too, although it’s a little different because we are counting on consumers to help us do the selling. To those consumers, however, it’s all advertising.

The Changing Role of TV

50 years ago this week, FCC Chairman Newton Minow called TV a “vast wasteland”.

Today, we can argue if TV is a wasteland but there’s no question it’s a vast – and shifting – territory.

The Death of TV has been Greatly Exaggerated

It’s been fashionable in recent years to say that TV, and in particular the 30-second commercial, is dead. Yet people watch a lot of it, which means advertisers still pay for it and producers keep filling it up with content. Supposedly Digital was putting an end to this cycle but so far the billions of hours of video content available online look more like a wasteland than the five hundred channels of TV available to many households. (Attention, digerati, please keep reading before you flame me in the comments section.)

TV Renaissance

In fact the demand for TV content is stronger than ever because TV isn’t just an appliance in your living room anymore. You can watch TV content on any number of devices, and TV advertising in the form of things like pre-roll video and DOOH displays. Jerry Seinfeld, who just launched a new website, observed: "Why would I talk to a TV executive at this point, and ask them what they think? If I have this idea for a TV show, I can just put it up on the Internet." On top of all this, let’s not forget that traditional TV sets offer not only hundreds of channels but the ability to watch programs anytime via the use of DVRs.

Expansion of TV complicates planning, measurement

Regular readers know about the Gigantic Venn Diagram, which is the collection of all available marketing channels across Advertising, Retail and Digital. TV is almost a Gigantic Venn Diagram unto itself, which means it’s impossible to have a TV media plan considering only TV. The confounding thing is that viewership is also a Gigantic Venn Diagram because people are using more than one media at a given time. During the Super Bowl all my Twitter feeds were moving fast with commentary about the game and its commercials. (Mrs. Ad Majorem watches Dancing With The Stars on two screens at once.)

Supply and Demand

Part of the “TV is dead” narrative has been resentment over continually rising prices for TV advertising. In the U.S., two years of recession are now followed by double-digit price increases. We expect the same in Asia and Latin America. “How can this be,” people ask, “when viewership is down and marketers have so many other options?” Three reasons. One, viewership isn’t down – in fact it’s expanding. Two, TV still offers a familiar ratings system – advertisers understand what they’re buying. Three, many of the biggest marketers still depend heavily on high awareness and TV is actually the most cost-efficient way to reach large audiences.

TV is not King

TV is not king; more like a ceremonial monarch with a big bank account, a lot of influence, and an unclear future. While TV is strong culturally and economically, digital media continue to rise in relevance. Let’s not lose sight of the fact that digital ad rates are also up in double-digits. Social Media will force the development of interactive TV. Mobile threatens TV in another important way, taking away part of TV’s broadcast spectrum.

What should you do?

Keep experimenting. Stay abreast of the changes. Continue to take a true channel-neutral approach and use TV in a way that will achieve your own business goals. As we said in a previous post, “How TV fits into IMC”, TV should never be the default position, but neither should it be eschewed. Don’t let labels hold you back. If you shift TV dollars to pre-roll, you can plausibly say you’re “going digital” and that you’re looking at TV expansively.

Gigantic Venn Diagram and the Rube Goldberg Machine

This past week I had lunch with a client for whom we are handling a multi-channel project including advertising, digital and retail, plus a collaboration with their public relations agency. We talked about the complexity of projects that juggle many strategies and much execution.

Gigantic Venn Diagram

We’ve mentioned the Gigantic Venn Diagram before (here, here and here) so it’s worth defining the term.

The Gigantic Venn Diagram is the complete range of channels available to marketers today. Every conceivable broadcast medium, digital application, retail program, PR initiative – it’s impossible to even list everything because new channels emerge every week.

Moreover, the Gigantic Venn Diagram is dynamic. Not only are new channels emerging, they are converging and moving in relationship to one another. Like any Venn diagram, the circles overlap, but in different combinations each time.

The overlap, in fact, is different from brand to brand, from project to project, depending on the strategy demanded by the business objective. You should never have the same diagram twice.

Making sense of the Gigantic Venn Diagram is the key challenge of any marketer today. It’s also known as channel planning, or in some places “comms planning”. You must have a well-defined business objective, a clear consumer insight, and a channel-neutral mindset.

Rube Goldberg Machine

Let’s say you’ve succeeded at writing a modern channel plan. Your Gigantic Venn Diagram will be the blueprint for a Rube Goldberg Machine. If you didn’t know, Rube Goldberg was an inventor who built contraptions of impossible complexity. Real-life examples include a popular Honda commercial and the children’s game “Mouse Trap”. My real-life examples are marketing programs that attempt to drive awareness, entice with sampling, engage online, and a host of other things that will sell more products.

All Rube Goldberg machines are tricky. Making the parts work together is a complex task of turning many strategies into much execution. It’s hard to draw Gigantic Venn Diagrams and build Rube Goldberg Machines, and not many teams succeed at both. The most spectacular failure in recent memory was the short-lived Enfatico, a one-stop agency consisting of different WPP resources created especially for Dell. A new example is Travelocity hiring the Publicis combo of Razorfish, Zenith and Leo Burnett. Also new and intriguing is Ruth, the new integrated services boutique of PR giant Edelman.

Can One Agency Really Do It All?

We addressed this question in a recent post (“Can One Agency Really Do It All for a Client?”) and also started a few LinkedIn and Twitter discussions to gain wider input. There seemed to be two camps: optimists and pessimists. Count me among the optimists, mainly because I’ve seen the magic of channel-neutral planning.

Still, it depends on what you mean by “all”. If we mean one agency handles channel planning or comms planning, yes, there are several agencies that can do that. If we mean one agency draws the Gigantic Venn Diagram and builds the Rube Goldberg Machine – well, then the field narrows considerably.