By J.C. Carleson
Portfolio/Penguin, 192 pages
Work Like A
Spy explains how CIA
practices might work in the business world. It’s been reviewed on that
general premise (here
and here)
so this post concentrates on how practices at “The Agency” might work at your
agency. In what ways are secret agents and advertising agents similar?
What’s It
Like to Work Like A Spy?
J.C. Carleson
(a pseudonym, of course) was both a CIA case officer and a corporate
executive. If you’re squeamish about taking advice from the CIA, start by
reading the last two pages of the book, which summarize her advice – and her
ethical standards. Her advice in one sentence is that getting information
important to your business “is a matter of asking the right people the right
questions in the right way.” Is that “right way” ethical? According
to Carleson, “It is possible to use clandestine techniques to get ahead in the
corporate world while still maintaining your integrity.” If you don’t
believe her, then put down the book.
Those who press
on will get Carleson’s advice in three parts: an introduction to the
clandestine world; how to apply clandestine techniques internally; how to apply
them externally. Sprinkled throughout are CIA stories generally less
exciting than James Bond – but one of her main themes is that typical CIA work
resembles typical corporate work more than it resembles the typical Hollywood
treatment.
It’s important
to point out that, like any book by former CIA employees, Work Like A Spy
had to be vetted by “The Agency”. This may account for generally bland
tonality, occasionally ham-handed editing, and overly-obvious appeals to
ethics. On the other hand, this book is virtually free of business
jargon.
It’s also a
relatively short book, worth one airplane ride to the client.
Secret
Agents and Advertising Agents
Here are the
passages most applicable to the advertising world.
Hiring
People (pages 89-98).
Advertising depends on the right people on the right teams, so we might derive
some lessons from the government agency with the disproportionately largest
budget for recruiting and hiring. One amusing line is that the ideal CIA
candidate is “a Boy Scout with a latent dark side” – admit it, you
work with some of those. Some of the strategies ring true for
agencies: encourage frequent rotation, make room for lone wolves,
etc. Others sound obvious, but do we really practice them? For
example, mixing groups that don’t normally
interact could be done more regularly in large agencies.
Keeping
Clients (pages 185-189).
As clients continue to stray
from the AOR model, bringing in multiple agencies on the same brand,
agencies will feel freer to poach each other’s business. Carleson’s
advice is to study the competition’s M.O., exploit their major changes (we all
have them these days), and fight back against their attempts to spy on you.
Not everyone in this business is ethical (ha!) and you can be sure some
skullduggery is afoot. Earlier, in Chapter 3, Carleson gives good advice
on protecting your agency’s secrets – doubly important because these are often
also your client’s secrets.
Winning
Business (pages 144-156).
The author knows something about “Making a Sale” (the name of this chapter)
given that her job was to convince someone to betray their own country – with
really bad consequences if they got caught. There is a ton of great
advice; each one of the eight techniques listed merits some
consideration. Taking a step back, though, the real value of this section
is that it reminds you we are in a relationship business.
Relationships
A key theme of this book is “elicitation”: You gain information and
insight not by dirty tricks, not by interrogation, and not even by direct
questions. Think about consumer research. Don’t you love focus
group questions like “Just why do you like this layout better than that
one?” The idea is that you can get the answers you need from listening
and patience.
Indeed, these
are also the foundations of good relationships. “A good CIA officer,”
Carleson writes, “is charismatic without being flashy, inquisitive without
being nosy, friendly without being boisterous, smart without being pedantic,
and confident without seeming arrogant. Above all, a good spy is a great
listener.”
That sounds
like the kind of person I’d like to work with in an ad agency. As long as
they’re on my side, of course.
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